AES conventions are held annually in both the United States and Europe. You do not need to be an AES member to attend.
AES conferences are held annually in both the United States and Europe. You do not need to be an AES member to attend.
AES Summits, Symposiums and Academies are market segment focused, online and in-person educational, training and hands-on experiences.
Gifting an AES membership — new or renewal — allows the person of your choice all the benefits of AES membership for one complete year (or more)
Sustaining Membership is available to organisations in communications, manufacturing, research and allied areas of the audio and acoustic fields.
Inside Track aims to provide you with regular educational and information resources, including member-exclusive videos.
The official publication of the AES — is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers.
The AES E-library contains over 17,000 fully searchable PDF files documenting the progression of audio research from 1953 to the present day.
Providing a forum for new ideas, as a vehicle for the dissemination, application and implementation of leading-edge research, as archivists of the sum total of audio knowledge, the AES is the global authority in the audio sciences.
Section meetings may be held annually or even monthly and consist of anything from presentations by specialists to facility or factory tours to social events.
Also includes Student Sections
If you are an AES student member, this is the place where you can get informed about student related topics.
Dedicated to encouraging the entry of talented students into the profession of audio engineering.
Find local student groups to connect with other students in your area.
Find open job positions from AES Sustaining Member companies here:
Sustaining Members can post jobs on the AES online job board
To place a job on the online Job Board you must be a Sustaining Member. However all companies can place a job In the AES Journal. Find more information below.
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Andres Mayo Immersive Audio
Vice President, Global Technology, THX Ltd.
Director of Music Recording and Scoring, Skywalker Sound
Proper Prent Sound LLC
MD Auro Technologies, CEO Galaxy Studios
IZotope CEO & Co-founder
Dolby, Director Automotive
Universal Music Group, Executive Vice President, Content Strategy and Operations
ELAC, Vice President Engineering
Designer, Futurist, Board Advisor, and Partner at Nonfiction Design San Francisco, California, USA
Founder and Senior Design Director, Deep Blue Design Hong Kong
DB Enterprises, Hong Kong
CEO, Menlo Scientific, Richmond, California, USA
Senior Acoustic System and Transducer Engineer at Dolby Laboratories San Francisco Bay Area, USA
Lead Applications Engineer, COMSOL Massachusetts, USA
General Manager, DSP Concepts GmbH
, Unterensingen, Baden-Württemberg, Germany
Managing Director, Illusonic,
Independent Audio Engineer, Grenoble, France
Tonmeister, Independent Audio Engineer,
JJR Acoustics, LLC - Seattle, WA USA
Associate Professor, Sound Recording & Audio Pioneer
Content and Studio Enablement, Dolby Music/Dolby Laboratories
Owner, Mix Messiah Productions
Producer, Engineer & Part-Time Educator
Audio Engineer & Producer
Founder and Chief Creative Officer, Hidden Chapel Studios
Director of Popular Music, Arizona State University
Co-Founder and Chief Product Officer, Dirac Research AB
Audio Transducer, System & Material Architectural Lead, FRL (Facebook Reality Labs)
Technology Manager, Acoustics, COMSOL
CEO, David Bryce Consulting, Inc. and Managing Director, Music Player Network
Director of Sales, RME (Synthax, Inc.)
Director of Training and Development at Waves Audio
Marketing Manager, Focusrite
AIMS Audio Group Chairman
Business Development Manager, NTP Technology
Senior Product Manager and Evangelist for the RAVENNA technology developed by ALC NetworX, Germany
Western Regional Sales Manager for Focusrite Pro
OCA Alliance Marketing Committee Chair
Director of Product Management, Electronics & Software, L-Acoustics
Senior Sales Engineer/Producer, Sweetwater
Senior Technical Training Manager, Audinate
Fraunhofer IIS - Erlangen, Germany
Coast Mastering - Berkeley, CA, USA
Mixing & Mastering Engineer
Fraunhofer USA Digital Media Technologies - San Jose, CA, USA
Owner & Lead Mastering Engineer -Daughterboard Audio
Lead Engineer/ Owner & Mastering Engineer
Mastering Engineer, Flotown Studio
Mastering Engineer, Infrasonic
Spatial Audio Specialist, Meyer Sound
Senior Technical Support Specialist
Founder of Studio Suite
Staff Scientist, Acentech; Mastering Engineer, Azevedo Audio
Audio consultant, technologist, integrator and recording engineer
Emmy Award-winning audio professional
GRAMMY®-nominated producer and mixer
Marketing Director, Genelec Inc.
Genelec Inc. Senior Technical Sales Manager
Senior Software Developer at iZotope, Inc.
Executive Director for the In-Ear Monitor International Trade Organization and Vice President of Sales for Earthworks Audio
Audio/Mix Engineer & Producer / Professor
Director of Engineering & Sound Designer at Futuro Media
Grammy Award Winning Mastering Engineer
Mastering Engineer at Larrabee Studios
Grammy nominated Mixing and Mastering Engineer
Producer, recording, mix and mastering engineer, Professor of Composition & Audio Production at Humber College, Producer, Bassist, Studio Engineer, & Composer/Arranger
Mastering & Vinyl Cutting Engineer
Manager, Sound Technology/ Creative Technologies, Netflix
Sr. Director, Content Creation Solutions, Dolby
Head, Media Engineering & Innovation at Amazon
Senior member, Scientific Staff at Dolby
Senior Scientist at Dolby
Music producer, film composer, sound designer
Producer/Music Marketing Strategist
Disney Digital Studio Services
Professor & Producer/ Engineer
Audio Engineering Society, Inc. All rights reserved.
Code of Conduct
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