AES New York Section Event –
AES NY Section officers and committee invite you to a hybrid in person /Facebook Live panel on
Advanced Topics in Dolby Atmos Studio Design
When: October 5th 6:30pm – 8:00pm
Discussion: 6:30pm – 7:30pm
Curated Q&A: 7:30pm – 8:00pm
Doors open at Dolby 88 at 6pm ticket required
Building or upgrading a commercial or high-end project studio for the purposes of mixing music in the relatively new Dolby Atmos format can seem daunting. But it doesn’t have to be. Denise Barbarita will interview Emma Brooks, Greg “Stryke” Chin and Nathaniel Reichman about their experiences consulting for and mixing in Atmos music studios. This discussion will focus on why Dolby has recommended certain configurations of loudspeakers, subwoofers, and target SPLs. They will discuss the Dolby Audio Room Design Tool (DARDT), and explain the necessary QC process with headphones and loudspeakers when preparing a commercial music release in the Dolby Atmos format.
In person attendance is limited and requires a ticket.
The facebook live stream will start at 6:30pm and be available on the AES NY Section Facebook page.
Moderator: Denise Barbarita, Owner, Head Engineer, MONOLisa Studios
Panelists:
Where: Dolby 88
1350 6th Avenue, 28th floor, New York NY, @55th street
Ticket required, Doors open at 6 PM
**There is a system for letting people into 1350 6th Ave. Ticket Holders will get a pass in via email from Dolby usually the day before.
Open to all not just AES Members to capacity which is limited, ticket required. This is a free AES NY Section event , please do not reserve a ticket and not show up to the event! This event will also be archived on AES NY Section Facebook and YouTube. In person attendees will have a chance to win a prize in a raffle at the end of the event. Dolby Renderer (12 month NFR) will be provided by Dolby to one lucky winner drawn via the raffle participation.
This is a free AES NY Section event , please consider making a donation to help the section in its operations and event costs.
Time above listed in event local time.
When: October 5th 6:30pm – 8:00pm
Discussion: 6:30pm – 7:30pm
Curated Q&A: 7:30pm – 8:00pm
Doors open at Dolby 88 at 6pm ticket required
Building or upgrading a commercial or high-end project studio for the purposes of mixing music in the relatively new Dolby Atmos format can seem daunting. But it doesn’t have to be. Denise Barbarita will interview Emma Brooks, Greg “Stryke” Chin and Nathaniel Reichman about their experiences consulting for and mixing in Atmos music studios. This discussion will focus on why Dolby has recommended certain configurations of loudspeakers, subwoofers, and target SPLs. They will discuss the Dolby Audio Room Design Tool (DARDT), and explain the necessary QC process with headphones and loudspeakers when preparing a commercial music release in the Dolby Atmos format.
In person attendance is limited and requires a ticket.
The facebook live stream will start at 6:30pm and be available on the AES NY Section Facebook page.
Moderator: Denise Barbarita, Owner, Head Engineer, MONOLisa Studios
Panelists:
- Greg “Stryke” Chin Dolby,Director Creative Enablement, Music Partnerships
- Emma Brooks Dolby, Music Studio Enablement, Music Partnerships
- Nathaniel Reichman Grammy-nominated Producer and Mixer
Where: Dolby 88
1350 6th Avenue, 28th floor, New York NY, @55th street
Ticket required, Doors open at 6 PM
**There is a system for letting people into 1350 6th Ave. Ticket Holders will get a pass in via email from Dolby usually the day before.
Open to all not just AES Members to capacity which is limited, ticket required. This is a free AES NY Section event , please do not reserve a ticket and not show up to the event! This event will also be archived on AES NY Section Facebook and YouTube. In person attendees will have a chance to win a prize in a raffle at the end of the event. Dolby Renderer (12 month NFR) will be provided by Dolby to one lucky winner drawn via the raffle participation.
This is a free AES NY Section event , please consider making a donation to help the section in its operations and event costs.
Time above listed in event local time.