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  • Andres Mayo (Chair)
    Andres Mayo (Chair)
    Andres Mayo Immersive Audio

    Andrés Mayo, former President of the AES (Audio Engineering Society), is an audio engineer and music producer who has pioneered the art of mastering since 1992. He boasts credits in more than 3,000 albums released in all formats, from vinyl through BluRay. Andres co-chaired the first AES Conference on Audio for Virtual and Augmented Reality (AVAR), held in Los Angeles in 2016, and since then he has been working tirelessly (together with fellow engineer Martin Muscatello) in the development of techniques and workflows for immersive music production.
    Andres Mayo Immersive Audio boasts a Dolby Atmos – Neumann room and caters for all sorts of deliverables, from 360° podcasts and commercial ads through documentaries and music productions.
    Member of the P&E Wing Advisory Council at NARAS, Andres is a 2-time GRAMMY and 7-time Gardel Award winner.

  • Jonathon Lee
    Head, Media Engineering & Innovation at Amazon
  • Michael Patterson
    Michael Patterson
    Disney Digital Studio Services

    Mike is a post-production veteran at The Walt Disney Company, with over a decade of Studio experience in Sound Editorial, ADR and Re-Recording Mixing, Mastering and Localization. Transitioning from 20th Century Fox during 2020’s merger, Mike has continued his role as both Re-Recording Mixer and Technical Operations Manager for Disney’s Digital Studio in Burbank. The cross-functional role in both the technical and operational spaces gives Mike breadth of perspective and engagement. Beyond the day-to-day production work, Mike serves the Studio as a sound expert in technical specifications, R&D, education, and process improvement.

  • Scott Kramer
    Scott Kramer
    Manager, Sound Technology/ Creative Technologies, Netflix

    Scott joined Netflix in July 2017 following 15 years in sound post production. His career began with a strong technical foundation as a sound facility engineer and mix technician. Later, at Technicolor, Warner Brothers and Wildfire Post, he worked in creative capacities as a Re-Recording Mixer and Supervising Sound Editor. At Netflix, he works primarily to develop emerging sound technologies, write the Netflix technical spec, conduct internal/external education and build a global sound team.



There are many events that are held online throughout the year.


Nov 11 2022


12:00 pm - 3:00 pm

AES Immersive Academy: Immersive Sound for Film & TV

Streaming networks have helped lead the industry into new horizons, and set many of the standards and best practices that engineering teams use in producing and delivering compelling immersive content. In this fourth edition, sound engineering leaders from Amazon Prime, Disney+ and Netflix will share a 3-hours long panel to help engineers across the world make sense of the workflow and deliverables commonly requested across the industry. The panel will be moderated by AES Past-President and immersive audio designer Andres Mayo.

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