LEARN MORE The spatial impression of an audio reproduction system describes how subjective listening qualities influence the perception of an acoustic event in space. Among these listening qualities is auditory source width (ASW), which describes the perceived lateral extent of the sonic image produced by the sound source. ASW can be measured and quantified using… Continue reading Measurement and Control of the Auditory Source Width of Stereo Signals
LEARN MORE Unlike a room made for stereo mixing, or for listening, wherein Live-End-Dead-End (LEDE) is often touted as the solution to provide some sense of space, a mixing space or listening space for immersive mixing should provide few contributions to the sound arriving at the listener. The sound reaching the listener should be under… Continue reading AES Pacific Northwest Event: Building A Room for Immersive Mixing
LEARN MORE Join the team at Haverstick Designs to discuss the acoustics (and psychology) of designing and implementing a recording studio that fosters creativity. Event Contact: Brett Leonard Time above listed in event local time.
Register Here The Audio Engineering Society (AES) is excited to host a special meeting focused on one of the most critical and creative aspects of audio production: successfully designing and building a studio. Join us for an in-depth exploration of the challenges and innovations in quality modern studio construction with our event: Building the Goal:… Continue reading AES Eastern Region, USA/Canada Event – Building the Goal: Studio Design and Acoustics
The Audio Engineering Society (AES), the IEEE Consumer Technology Society (CTSoc), and the IEEE Signal Processing Society (SPS) cordially invite you to a first-of-a-kind joint event discussing the state of the art perspectives in this rapidly evolving field. Our rock star speakers, leading experts from industry and academia, will engage in a two-hour webinar featuring… Continue reading Webinar: Three Engineering Societies’ Perspectives on Multi-channel Audio and Psychoacoustics
