2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio

Call for Submissions

Updated: August 21, 2024

Event:

Key Details:

Image for the 2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio, held September 8-10, 2025 in London, England.

2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio

Queen Mary University of London
London, U.K.
September 8-10, 2025

Submission Quick Links:

Key dates:

Note: This is an in-person event only, there will be no online presentations.

Peer-Reviewed Paper Submission Deadline (Category 1)

February 28, 2025

Peer-Reviewed Paper Acceptance Notification (Category 1)

June 6, 2025

Panel Discussion Submission Deadline

Panel Discussion Acceptance Notification 

February 28, 2025

June 6, 2025 

Challenges Expression of Interest Deadline

Challenges Final Submission Deadline

Challenges Acceptance Notification

October 15, 2024

October 31, 2024

January 24, 2025

Tutorial Submission Deadline

Tutorial Acceptance Notification

October 25, 2024

January 24, 2025

(Note that the submission site login is NOT the same as your AES login. You will need to create an EasyChair account if you have not submitted via that platform before.)

Updated: August 21, 2024

Call for Contributions

The Audio Engineering Society invites audio researchers and practitioners, from academia and industry to participate in the first AES conference dedicated to artificial intelligence and machine learning, as it applies to audio. This 3-day event, aims to bring the community together, educate, demonstrate and advance the state of the art. It will feature keynote speakers, workshops, tutorials, challenges and cutting-edge peer-reviewed research.

The scope is wide – expecting attendance from all types of institutions, including academia, industry, and pure research, with diverse disciplinary perspectives – but tied together by a focus on artificial intelligence and machine learning for audio.

Original contributions are encouraged in, but not limited to the following topics:

  • Intelligent Music Production
    • Knowledge Engineering Systems
    • Automatic Mixing/Remixing/Demixing/Mastering
    • Differentiable Audio Effects
  • Audio and Music Generation
    • Generative models for audio
    • Deep Neural Audio Codecs
    • Neural Audio Synthesis
    • Text-to-audio generation
    • Instrument models
    • Speech and Singing voice synthesis
    • AI for sound design
    • Differentiable Synthesisers using DDSP and other neural models
  • Representation Learning
    • Fingerprinting using deep learning
    • Transfer Learning
    • Domain Adaptation
    • Transfer of musical composition and performance characteristics including, timbre, style, production, mixing and playing technique
  • Real-time AI For Audio
    • Model Compression (Quantization, Knowledge Distillation)
    • Efficient Model Design and Benchmarking
    • Real-time inference frameworks in software and hardware
  • Applications of AI in Acoustics and Environmental Audio
    • Machine learning and AI models for acoustic sensing
    • Deep learning for acoustic scene analysis
    • Deep learning for localisation in noisy and reverberant environments
    • Binaural processing with AI or ML
    • Source and scene classification
    • Source separation, source identification and acoustic signal enhancement
    • AI-driven distributed acoustic sensor networks
    • Control and estimation problems in physical modelling
    • AI-based perception models inspired by human hearing
    • Application of AI to wave propagation in air, fluids and solids
  • AI Ethics for Audio and Music
    • AI-Generated Music and Creativity
    • Intellectual Property in AI-Composed Music
    • AI in Environmental Sound Monitoring
    • Cultural Appropriation in AI Music
    • Environmental Impact of Audio Data Processing

Papers Chairs: Brecht De Man (PXL-Music) and George Fazekas (QMUL)  (contact papers chairs)

The conference accepts full papers of 4-10 pages. Papers must be submitted as PDF files using EasyChair. All papers will be peer-reviewed by at least two experts in the field, and accepted papers will be presented in the conference programme and proceedings published in the AES Library in open access (OA) format. Final manuscripts of accepted papers must implement all revisions requested by the review panel and will be presented in an oral or poster session.

Important dates (pre-announcement):

Paper submission deadline: February 28, 2025
Notification of acceptance: June 6, 2025
Camera-ready submission deadline: July 7, 2025
Conference: September 8-10, 2025

Paper submission will open early October 2024, deadlines are subject to minor changes until September 2024.

Call for Special Sessions

As a part of this conference, we invite submissions for panel discussions, tutorials, and challenges. 

Call for Panel Discussions

We are seeking experts and professionals in the field to propose a 60-minute Panel discussion with at least 4 panelists on the proposed topics. The proposal should include a title, an abstract (60-120 words), a list of topics for discussion, and a description (up to 500 words). Additionally, the submission should include the number, names, and qualifications of presenters, and technical requirements (sound requirements during the presentation, such as stereo, multichannel, etc.).

Start your Panel/Tutorial submission
Call for Panel/Tutorial Template (LaTex)

Important dates (pre-announcement):

Deadline for panel discussion proposals: February 28, 2025
Accepted panels notified by: June 6, 2025

Call for Tutorials

We are seeking proposals for 120-minute hands-on tutorials on the conference topics. The proposal should include a title, an abstract (60-120 words), a list of topics, and a description (up to 500 words). Additionally, the submission should include presenters’ names, qualifications, and technical requirements (sound requirements during the presentation, such as stereo, multichannel, etc.). We encourage tutorials to be supported by an elaborate collation of discussed content and code to support learning and building resources for a given topic. 

Start your Panel/Tutorial submission
Call for Panel/Tutorial Template (LaTex)

Important dates:

Deadline for tutorial proposals: October 25, 2024
Accepted sessions notified by: January 24, 2025

Call for Challenges

The AES AI and ML for Audio conference promotes knowledge sharing among researchers, professionals, and engineers in AI and audio. Special Sessions include pre-conference challenges hosted by industry or academic teams to drive technology improvements and explore new research directions. Each team manages the organization, data provision, participation instructions, mentoring, scoring, summaries, and results presentation. Challenges are selected based on their scientific and technological significance, data quality and relevance, and proposal feasibility. Collaborative proposals from different labs are encouraged and prioritized. We expect an initial expression of interest via mail to special-sessions-aimla@qmul.ac.uk by October 15, 2024, followed by a full submission on EasyChair by the final submission deadline.

Start your Challenge submission

Proposal

Challenge bidders should submit a challenge proposal for review. The proposal should be a maximum of two pages (PDF format) including the following information:

  1. Challenge name
  2. Coordinators
  3. Keywords (e.g. classification, generation, transcription)
  4. Definition (one sentence, e.g. automatic mixing for 8 tracks with prediction of audio effect parameters for gain, pan, compressor, and EQ)
  5. Short description (including the research question the challenge is tackling. Please mention if it is a follow-up of a past challenge organized elsewhere)
  6. Dataset description: development, evaluation (short description, how much data is already available and prepared, how long would it take to prepare the rest, mention if you allow external data/transfer learning or not)
  7. Evaluation method/metric
  8. Baseline system (2 sentences, planned method if you do not have one from the previous challenge)
  9. Contact person (for main communication, website)
 
 

Important dates (pre-announcement):

Expression of Interest: October 15, 2024
Final Submission Deadline: October 31, 2024
Conditional Acceptance Notification: November 29, 2024

If required, we may ask for additional information regarding the organization and scope of the challenge, and ask for a resubmission of the proposal. The discussion period will span from December 2, 2024 to January 17, 2025.

Final Acceptance Notification: January 24, 2025

Tentative Timeline

Challenge Descriptions Announced: January 31, 2025
Challenges Start: April 1, 2025
Challenges End: June 15, 2025
Challenges Results Announcement: July 15, 2025

We invite challenge organizers to compile a report and present it in the form of a paper which can be part of the conference proceedings.

Paper Submission deadline: August 15, 2025

Enquiries should be sent to: papers-aimla@qmul.ac.uk and special-sessions-aimla@qmul.ac.uk 

Organizing Committee

General Chair: Prof. Joshua Reiss (QMUL) (chair-aimla@qmul.ac.uk)

Papers Co-Chairs: Brecht De Man (PXL-Music) and George Fazekas (QMUL) (papers-aimla@qmul.ac.uk)

Special Sessions Co-Chairs: Soumya Vanka (QMUL) and Franco Caspe (QMUL) (special-sessions-aimla@qmul.ac.uk)

Sponsorships Co-Chairs: Farida Yusuf (QMUL) and Gary Bromham (QMUL)

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