| Reference ID | Title | Date | Notes |
|---|---|---|---|
|
E-health multimedia systems, services and applications – Safe listening |
June 2022 |
Requirements for safe-listening devices and systems (personal/portable audio systems, especially those for playing music) to protect from hearing loss. Glossary and background on sound, hearing and hearing loss. |
|
|
Loudness Standard for Over-the-Top Television and Online Video Distribution for Mobile and Fixed Devices |
January 2020 |
Covers devices, mobile or fixed, that receive OTT and OVD services. It describes management of loudness and dynamic range within a device, with or without the use of metadata. |
|
|
Recommendations for Loudness of Internet Audio Streaming and On-Demand Distribution |
September 2021 |
Latest AES guidelines on audio loudness for streaming, on-demand and voice response system. Distribution techniques are covered. |
|
|
Loudness Parameters for Short-Form Content |
August 2020 |
Defines and specifies the values for advertisements, promos etc. |
|
|
Loudness Normalisation and Permitted Maximum Level of Audio Signals |
August 2020 |
Lists the EBU’s audio parameters. |
|
|
Loudness Normalisation and Permitted Maximum Level of Audio Signals |
August 2020 |
The European Broadcasting Union’s primary document for radio and television. Brief, but includes links to 9 EBU and ITU reference documents with details. |
|
|
Recommended Practice Loudness Guidelines for Over-the-Top Television and Online Video Distribution |
July 2018 |
Summary guide on audio associated with streaming and online television distribution. |
|
|
Sound system equipment: headphones and earphones associated with personal music players - Maximum sound pressure level measurement methodology - Part 3 |
2017 |
As the title indicates, this defines SPL measurement of consumer headphones and earphones and European exposure limits to protect hearing. |
|
|
Loudness Guidelines for OTT and OVD Content |
October 2017 |
The predecessor to document AESTD1008. |
|
|
Practical guidelines for distribution systems in accordance with EBU R 128 |
July 2016 |
Audio processing and transmission for radio as well as home receivers and video playout equipment |
|
|
Loudness Metering. ‘EBU Mode’ Metering to supplement loudness normalization in accordance with EBU R 128 |
January 2016 |
Definitions of Integrated, short-term and momentary loudness. Describes ITU’s test signals for testing and calibration of loudness meters and measurement software. |
|
|
Loudness Range: A measure to supplement loudness normalisation in accordance with EBU R 128 |
January 2016 |
Details on the algorithm, measurement and application of Loudness Range (LRA). |
|
|
Practical guidelines for Production and Implementation in accordance with EBU R 128 |
January 2016 |
A large paper on strategies for normalization and leveling in production. Surround and stereo downmix corrections are covered, as well as alignment level and listening sound pressure level. |
|
|
Algorithms to measure audio programme loudness and true-peak audio level |
October 2015 |
Latest in series of standards that define algorithms to measure audio program loudness and true-peak audio level, a method of measuring the Integrated Loudness over entire program segments etc. |
|
|
ATSC Recommended Practice: Techniques for Establishing and Maintaining Audio Loudness for Digital Television |
March 2013 |
Guidance to broadcasters and creators of audio for TV content. Developed originally to address loud commercials, it recommends production, distribution, and transmission practices. |
|
|
Requirements for loudness and true-peak
indicating meters
|
January 2012 |
Some requirements for audio metering devices that implement the loudness and true-peak algorithms specified in other ITU-R Recommendations. |
| Title | Author | Date | Notes |
|---|---|---|---|
|
R. Byers |
August 2021 |
Best practices for loudness measurement and normalization in audio storytelling production. |
|
|
R. Byers |
August 2021 |
Discussion of differences in using loudness measurement and normalization in radio and podcast production. |
|
|
G. Ogonowski |
October 2020 |
Discussion of audio sample rates and effects near full scale. |
|
|
S. Norcross |
October 2020 |
Study showing that subjects on average tend to match music content 3-4 dB higher than the speech-based reference signal when measured similar in loudness by ITU-R BS.1770. |
|
|
Apple Developer article |
2020 |
Paper provides a model to improve accuracy of speech-gated loudness measurement when speech activity is low.) |
|
|
J. Starzynski |
2017 |
National Association of Broadcasters Engineering Handbook, 11th Ed., pp. 767-790 |
|
|
C. Bertin |
2015 |
SPL protection limits from WHO and ITU standards. |
|
|
T. Lund |
June 2015 |
Test results of SPL from real music players and headphones. Warns that consumers are at risk of hearing damage without limits on exposure. |
|
|
J. Kean, E. Sheffield |
April 2015 |
Investigation of dynamic range desired by listeners in range of environmental noise conditions with speakers and headphones. |
|
|
H. Robjohns |
February 2014
(Sound On Sound)
|
As ITU loudness becomes known, recognized mastering engineer Bob Katz considers the implications for those who make, mix and master music. |
|
|
T. Lund |
2013
|
For five years, the author has systematically studied audio capabilities of Pod and Mobile TV devices... Taking test results and perceptual criteria into account, guidelines are given for optimum station handling of programs for Mobile devices. |
|
|
F. Begnert, H. Ekman, J. Berg |
October 2011
|
Study showing that normalization may yield different perceived loudness between program types. |
|
|
E. Skovenborg, T. Lund |
October 2008
|
Loudness range tolerance of listeners: for diagnosing potential problems in ingest material; as a quality check after processing, editing; for use in content delivery. |
|
|
K. Persons, et.al |
1977
|
Speech Levels in Various Noise Environments |
|
|
E. Skovenborg, S. Nielsen |
October 2004
|
Fundamental evaluation of models of loudness perception before ITU BS.1770. |
|
|
E. Grimm |
October 2019 |
4.2 million albums were analyzed for loudness aspects such as loudest and softest track loudness. Evidence of development of the loudness war was found |
|
|
J. Riedmiller, et.al. |
October 2003 |
Early studies of listener needs for consistent audio loudness in broadcast TV, satellite and cable television services. |
|
|
E. Benjamin |
October 2002 |
Comparison of methods for making objective measurements designed to correlate better with actual loudness (A-weighting, etc.) |
Please note that web addresses were verified in Jan. 2023, but are subject to change.
