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To study perceptual discrimination between two digital audio coding formats, ?Direct Stream Digital? and highresolution (24-bit, 176.4 kHz) PCM, subjective listening comparison tests were conducted with specially recorded sound stimuli in stereo and surround. To guarantee their reliability, validity and objectivity, the double-blind ABX tests followed three main principles: The signal chain should be based on identical audio components as far as possible; these components should be able to convey very high audio frequencies; and the test population should consist of various groups of subjects with different listening expectations and perspectives. The results showed that hardly any of the subjects could make a reproducible distinction between the two encoding systems. Hence it may be concluded that no significant differences are audible.
Author (s): Blech, Dominic; Yang, Min-Chi
Affiliation:
Erich-Thienhaus-Institute (Tonmeisterinstitut), University of Music Detmold, Germany
(See document for exact affiliation information.)
AES Convention: 116
Paper Number:6086
Publication Date:
2004-05-06
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Session subject:
Spatial Perception and Processing
Permalink: https://aes2.org/publications/elibrary-page/?id=12799
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Blech, Dominic; Yang, Min-Chi; 2004; DVD-Audio versus SACD: Perceptual Discrimination of Digital Audio Coding Formats [PDF]; Erich-Thienhaus-Institute (Tonmeisterinstitut), University of Music Detmold, Germany; Paper 6086; Available from: https://aes2.org/publications/elibrary-page/?id=12799
Blech, Dominic; Yang, Min-Chi; DVD-Audio versus SACD: Perceptual Discrimination of Digital Audio Coding Formats [PDF]; Erich-Thienhaus-Institute (Tonmeisterinstitut), University of Music Detmold, Germany; Paper 6086; 2004 Available: https://aes2.org/publications/elibrary-page/?id=12799