2026 AES European Convention
(160th Convention)

Call for Submissions

Updated: November 2, 2025

Event:

Key Details:

AES Europe 2026
 
In Person: May 28-30, 2026 (Copenhagen, Denmark)
 
Convention Co-Chairs: 
Contact Convention Co-Chairs
Contact Papers Co-Chairs
Contact Workshops Co-Chairs

Key Dates:

All presentations will be in-person at the .

Submission Deadline

February 1, 2026

Workshop acceptances emailed 

March 15, 2026

Papers (Peer-Reviewed and Express) deadline  

February 1, 2026

Peer Reviewed (Category 1) and Express Papers (Category 2) acceptances notification   

March 15, 2026

Peer Reviewed (Category 1) and Express Papers (Categories 2) Final Manuscript Deadline

April 25, 2026

JAES Papers submission deadline

March 15, 2026

JAES Papers acceptance notification

April 5, 2026

Submission Quick Links:

(Note that the submission site login is NOT the same as your AES login. You will need to create an EasyChair account if you have not submitted via that platform before.)

Updated: November 2, 2025

Submission Guidelines

The Audio Engineering Society is committed to diversity, equity, and inclusion in the audio community. We encourage submissions to AES events from all audio professionals. We welcome diverse genres, embrace emergent audio fields and research, and strive to radiate inclusiveness to all races, gender and gender identities, physical abilities, ages, and nationalities.

In an effort to demystify the submission process, AES partnered with Soundgirls to provide a webinar on “How to Submit a Paper.” If you have any questions or concerns regarding submissions, please feel free to reach out to the Co-Chairs at 160th_chairs@aes.org.

 

Call for Technical Sessions (Workshops and Tutorials)

Workshops Co-Chairs: Thomas Lund (Contact Workshop Chairs)

Those wishing to submit proposals for technical sessions must complete the submission form in the AES 160th submission system for Workshops & Tutorials. These will be considered by the convention committee for suitability. For questions about this category of submission, contact the convention workshop co-chairs.

Registration:
All Workshop and Tutorial presenters and panelists will receive 50% discounted registration price.

Additionally, before you submit, please review these guidelines.

Deadline:
Workshop Submission Proposal deadline: Sunday, March 15, 2026

 

Call for Papers

Papers Co-Chairs:  Finn Agerkvist & Lars Tirsbæk (Contact Papers Chairs)

This contact link can also be used by anyone interested in serving as a paper reviewer. We will be using blind reviews for the 160th Convention.

Categories

Authors may submit proposals in one of three categories:

  1. Complete-manuscript peer-reviewed convention papers (Category 1)
  2. Extended-summary-reviewed Express Papers (Category 2)
  3. JAES Papers

Submitting a Proposal

Proposals are to be submitted electronically:

Complete-manuscript peer-reviewed convention papers (Category 1)

For complete-manuscript peer-reviewed convention papers (Category 1), authors are asked to submit a 250 word abstract and complete paper (recommended length 6-10 pages) to the submission site by February 1, 2026. These complete manuscript papers will be reviewed by at least two experts in the field, and authors will be notified of acceptance by March 15, 2026. Final manuscripts with the revisions requested by the reviewers are required to be uploaded by April 25, 2026.

Downloadable Templates

Peer Reviewed (Category 1) Word Template
Peer Reviewed (Category 1) LaTeX Template

Express Papers (Category 2)

For express papers (Category 2), authors are asked to submit an Abstract of 250-word and an Extended Summary of 300-750 words to indicate their desire to present an express paper (recommended length 4-8 pages for the final manuscript) by February 1, 2026. Submissions will be peer-reviewed based on merit and interest to the AES community and to ensure that any presentations will not be of a commercial nature. Topics for express papers can be very wide-ranging, encompassing experimental, application-driven and/or early-stage research. Authors will be notified of acceptance by March 15, 2026.

If your proposal is accepted and you agreed to provide a manuscript, the final manuscript must be uploaded by April 25, 2026 using one of the templates provided after acceptance.  Guidelines are available here.

Downloadable Templates

Express Paper (Category 2) Word Template
Express Paper (Category 2) LaTeX Template

 

JAES Papers

Authors of papers in the Journals of the AES will have the opportunity to present their work, subject to space availability and approval by the Papers Co-Chairs. Only papers published from March 2025 until January/February 2026 are eligible for presentation. The papers presented at the convention will neither be reviewed nor included in the proceedings.

The title and abstract of the JAES paper must be submitted to the 160th submission system for JAES papers by Monday, March 15, 2026. Authors will be notified of acceptance by April 5, 2026

Registration
Papers may be submitted by a single author or a group of authors. For each paper, a single “presenting author” is designated on the paper submission website – usually the person who will present the paper at the Convention. The presenting author for each paper in categories 1 and 2 or JAES papers will be required to pay the Presenting Author Fee which will be less than the Early Bird general registration rate.

This payment is required for all presenting authors in categories 1 and 2. No additional registration fee will be required. All Presenting Authors will receive a free All Access Badge on payment of their Presenting Author Fee.

Presenting Authors, please wait for instructions that will be sent out with the acceptance information.

Authors presenting more than one paper in categories 1 and/or 2 are only required to pay one Presenting Author Fee.

Co-authors of a paper are welcome and encouraged to attend but will require an All-Access Badge to access the sessions.

*Note: While Life Members have the privilege of no-cost All Access registration, Life Members who are Presenting Authors in categories 1 and 2 are required to pay the Presenting Author Fee.

Publication in the E-Library
All convention papers will be available in the AES E-Library no earlier than 10 days before the convention starts. All individual AES members have free access to the E-Library. For any non-member author paying the non-member price, a year’s membership is included and will give them access to the Convention papers in the E-Library.

Open Access
Authors can pay an additional fee to make papers Open Access. See our Open Access page for more information.

Awards
Presenting authors who are student members and whose convention papers (Category 1 or Category 2) are accepted will be eligible for the Student Paper Award at the 160th Convention. Peer-reviewed (Category 1) papers are given preference by the award judges.

Presenting authors of accepted Category 1 papers will be eligible for the Best Peer-Reviewed Paper Award.

Topics

Acoustics of Music Rooms 

  • Acoustics of smaller rooms 
  • Acoustics of large performance or rehearsal spaces 
  • Room acoustic solutions and materials 
  • Sound isolation related to music as a source 

Audio Applications and Technologies 

  • Audio in education 
  • Audio for mobile and handheld devices 
  • Auditory display and sonification 
  • Automotive audio 
  • Digital broadcasting 
  • Forensic audio 
  • Interactive sound 
  • Networked, internet, and remote audio 
  • New audio interfaces 
  • Web audio technologies 

Audio Content Management 

  • Archiving and restoration 
  • Audio and music information retrieval 
  • Audio formats 
  • Automatic content description 
  • Digital libraries 

Audio Processing 

  • Analysis and synthesis of sound 
  • Audio coding and compression 
  • Audio effects 
  • Auditory scene analysis 
  • High-resolution audio 
  • Machine listening 
  • Music and speech signal processing 
  • Generative AI for speech and audio 

Audio Equipment 

  • Electronic instrument design and applications 
  • Instrumentation and measurement 
  • Interaction of transducers and the room 
  • Loudspeakers and headphones 
  • Microphones, converters, and amplifiers 
  • Musical instrument design 
  • Protocols and data formats 
  • Wireless and wearable audio 

Immersive Audio 

  • Audio for virtual, augmented, and mixed reality environments 
  • Evaluation of spatial audio 
  • Impact of room acoustics on immersive audio 
  • Multichannel and spatial audio 
  • Sound design and acoustic simulation of immersive environments 
  • Spatial audio applications 

Perception 

  • Audio perception 
  • Audio quality 
  • Hearing loss, protection, and enhancement 
  • Listening tests and evaluation 
  • Psychoacoustics 
  • Room acoustics and perception 
  • Speech intelligibility 

Recording, Production, and Reproduction 

  • Live event and stage audio 
  • Music production and performance practices (e.g., electronic, experimental, and hybrid genres) 
  • Mixing, remixing, and mastering 
  • Studio recording techniques 
  • Sound reinforcement and playback design 

Sound Design 

  • Creative methods and workflows in sound design 
  • Aesthetics and perception of designed sound 
  • Sound design in linear and non-linear media (film, games,podcast, interactive experiences) 
  • Sound design for installations, performance art, and public spaces 
  • Branded sound, audio logos, and sonic identities 

Cross-Disciplinary Sound Studies 

  • Intersections between sound, culture, and society 
  • Anthropological and ethnographic approaches to sound 
  • Sound in museums, heritage, and cultural institutions 
  • Artistic research in sound 
  • Interdisciplinary collaborations between sound, design, and technology 
  • Sonic practices in education and pedagogy 
  • Audience experience and reception studies in sound and music 

AI and Machine Learning in Audio 

  • Machine learning for creative audio applications 
  • Generative AI in music and sound design 
  • AI-assisted mixing, mastering, and production workflows 
  • Ethics, authorship, and ownership in AI-generated audio 
  • Machine listening and pattern recognition in sound analysis 
  • Hybrid workflows combining human creativity and AI tools 
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