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Modes in small rooms may lead to uneven frequency responses and extended sound decays at low frequencies. In critical listening environments this often causes unwanted coloration effects, which can be detrimental to the sound quality. Choosing an appropriately proportioned room may reduce the audible effects of modes. This paper details a new methodology for determining the room dimensions for small critical listening spaces. It is based on numerical optimisation of the room dimensions to achieve the flattest possible frequency response. The method is contrasted with previous techniques.
Author (s): D`Antonio, Peter; Cox, Trevor
Affiliation:
School of Acoustics and Electronic Engineering, University of Salford, Salford, UK ; RPG Diffusor Systems Inc., Upper Marlboro, USA
(See document for exact affiliation information.)
AES Convention: 110
Paper Number:5353
Publication Date:
2001-05-06
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Session subject:
Room Acoustics & Sound Reinforcement
Permalink: https://aes2.org/publications/elibrary-page/?id=10003
(152KB)
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D`Antonio, Peter; Cox, Trevor; 2001; Determining Optimum Room Dimensions for Critical Listening Environments: A New Methodology [PDF]; School of Acoustics and Electronic Engineering, University of Salford, Salford, UK ; RPG Diffusor Systems Inc., Upper Marlboro, USA; Paper 5353; Available from: https://aes2.org/publications/elibrary-page/?id=10003
D`Antonio, Peter; Cox, Trevor; Determining Optimum Room Dimensions for Critical Listening Environments: A New Methodology [PDF]; School of Acoustics and Electronic Engineering, University of Salford, Salford, UK ; RPG Diffusor Systems Inc., Upper Marlboro, USA; Paper 5353; 2001 Available: https://aes2.org/publications/elibrary-page/?id=10003