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With the increase of digital audio dissemination, generated by the popularization of personal computers and worldwide low-latency networks, many entertaining applications can easily be imagined to rhythmic analyses of audio. We herein report on a method of automatic extraction of a rhythmic attribute from percussive music audio signals: the smallest rhythmic pulse, called the `tick`. Evaluations of the proposed scheme yielded quite good results. We then discuss the relevance of use of the tick as the basic feature of rhythmic analyses.
Author (s): Gouyon, Fabien; Herrera, Perfecto; Cano, Pedro
Affiliation:
Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain
(See document for exact affiliation information.)
Publication Date:
2002-06-06
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Session subject:
Virtual, Synthetic and Entertainment Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=11158
(376KB)
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Gouyon, Fabien; Herrera, Perfecto; Cano, Pedro; 2002; Pulse-dependent Analyses of Percussive Music [PDF]; Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain; Paper 000214; Available from: https://aes2.org/publications/elibrary-page/?id=11158
Gouyon, Fabien; Herrera, Perfecto; Cano, Pedro; Pulse-dependent Analyses of Percussive Music [PDF]; Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain; Paper 000214; 2002 Available: https://aes2.org/publications/elibrary-page/?id=11158