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The more the quality increases on the part of studio engineering - i.e. microphones, pick-up technology, delivery, storage - the more some weakness is evident at the beginning and the end of the transmission chain: (a) Recording studios for classical music mostly have not the required quality parameters for the artists and the information to be recorded. A sone recommandable example the large recording hall in Berlin and its charcteristic are discussed. Experiences with multichannel sound productions in this hall are covered. (b) On the other side, standard listening conditions of control rooms - see AES document TD 1001.0.01-05 `Multichannel surround sound systems` - have to be considered from time to time to show open questions and the uncertain situation at home.
Author (s): Steinke, Gerhard
Affiliation:
(See document for exact affiliation information.)
AES Convention: 112
Paper Number:5561
Publication Date:
2002-04-06
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Session subject:
Surround Sound Recording
Permalink: https://aes2.org/publications/elibrary-page/?id=11383
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Steinke, Gerhard; 2002; Room-acoustical and Technological Aspects for Mulichannel Recordings of Classic Music [PDF]; ; Paper 5561; Available from: https://aes2.org/publications/elibrary-page/?id=11383
Steinke, Gerhard; Room-acoustical and Technological Aspects for Mulichannel Recordings of Classic Music [PDF]; ; Paper 5561; 2002 Available: https://aes2.org/publications/elibrary-page/?id=11383