The aesthetics and techniques used in the creation of early analog tape-based electronic music were influenced by music compositional practices from the 1880s through the first half of the 20th century. Examining these earlier acoustic pieces and a their notable compositional techniques has helped provide an aesthetic context for students studying early tape-based electronic music and their analog recording projects at the University of Colorado at Denver.
(See document for exact affiliation information.)
https://aes2.org/publications/elibrary-page/?id=11438
(28KB)
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member Join the AES. If you need to check your member status, login to the Member Portal.
