A case history of a large stage production is presented. The stage-area audio is emphasized. Pressure-zone, shotgun, wireless and free-field microphone placement and usages are discussed, with their mixing techniques. Mixing live and taped material is covered. On-stage, wings, and back hallway monitoring and mixing is also discussed.
(See document for exact affiliation information.)
https://aes2.org/publications/elibrary-page/?id=11603
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