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There are a number of applications for banks of bandpass filters in professional audio studios, both for film and music production. In this paper, we explore digital techniques for bandsplitting that have the property that the spectrum my be separated into a number of bands such that when these bands are added back together, the result is a pure delay. There need be no amplitude or phase distortion other than delay. This allows such applications as linear-phase graphic equalizers, multi-band noise gates, and many other improvements over conventional studio equipment. These algorithms have been implemented on a large-scale audio signal processor and run in real time. They are currently being used in major motion picture production.
Author (s): Moorer, James A.; Berger, Mark
Affiliation:
Lucasfilm Ltd., San Rafael, CA
(See document for exact affiliation information.)
AES Convention: 76
Paper Number:2132
Publication Date:
1984-10-06
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Session subject:
Digital Audio Recording
Permalink: https://aes2.org/publications/elibrary-page/?id=11623
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Moorer, James A.; Berger, Mark; 1984; Linear-Phase Bandsplitting: Theory and Applications [PDF]; Lucasfilm Ltd., San Rafael, CA; Paper 2132; Available from: https://aes2.org/publications/elibrary-page/?id=11623
Moorer, James A.; Berger, Mark; Linear-Phase Bandsplitting: Theory and Applications [PDF]; Lucasfilm Ltd., San Rafael, CA; Paper 2132; 1984 Available: https://aes2.org/publications/elibrary-page/?id=11623