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Nonlinear distortions in audio amplifiers `colour` the reproduced sound. In a typical amplifier the distortion is a mixture of several types - clipping, slewing, crossover, to name a few - and the sound colouration is the result of this mixture. A specially-designed amplifier will be demonstrated, in which varying amounts of various types of distortion can be selected by means of front-panel controls. Many types of nonlinear distortion are remarkably inaudible. These results have implications in regard to future standards for digital audio equipment.
Author (s): Cherry, Edward M.
Affiliation:
Monash University, Victoria, Australia
(See document for exact affiliation information.)
AES Convention: 1r
Paper Number:2114
Publication Date:
1984-08-06
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Permalink: https://aes2.org/publications/elibrary-page/?id=11640
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Cherry, Edward M.; 1984; Amplifier Distortions: Audible and Inaudible [PDF]; Monash University, Victoria, Australia; Paper 2114; Available from: https://aes2.org/publications/elibrary-page/?id=11640
Cherry, Edward M.; Amplifier Distortions: Audible and Inaudible [PDF]; Monash University, Victoria, Australia; Paper 2114; 1984 Available: https://aes2.org/publications/elibrary-page/?id=11640