The progress of digital audio over the author`s career is examined and compared to the speedups predicted by Moore`s law. Then extrapolating over the next 20 years, it is concluded that the main problem facing digital audio engineers will not be how to perform a particular manipulation on sound, but how the amount of power that will be available at that time can possibly be controlled. A number of examples will be presented of computations that were not feasible at the time they were conceived, but may well become routine with pedaflop processors.
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