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The difference in the effect of cross-talk between coincident (or near-coincident) and spaced multichannel array systems – the cross-talk introduced by adjacent microphones to a specific segment – the cross-talk introduced by microphones on the opposing sides of an array – the effect of cross-talk in the transitory and quasi-steady state regions of a natural signal – crosstalk reduction in the quasi steady state region - image folding into “empty” areas. Each of these aspects of crosstalk has a different and definable influence on a specific segment of the multichannel microphone array system. Microphone arrays must therefore be designed to minimise their effect on the final front coverage or surround sound multichannel image.
Author (s): Williams, Michael
Affiliation:
"Sounds of Scotland", Paris, France
(See document for exact affiliation information.)
AES Convention: 118
Paper Number:6373
Publication Date:
2005-05-06
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Session subject:
Multichannel Sound (5.1 Multichannel, general)
Permalink: https://aes2.org/publications/elibrary-page/?id=13089
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Williams, Michael; 2005; The Whys and Wherefores of Microphone Array Crosstalk in Multichannel Microphone Array Design [PDF]; "Sounds of Scotland", Paris, France; Paper 6373; Available from: https://aes2.org/publications/elibrary-page/?id=13089
Williams, Michael; The Whys and Wherefores of Microphone Array Crosstalk in Multichannel Microphone Array Design [PDF]; "Sounds of Scotland", Paris, France; Paper 6373; 2005 Available: https://aes2.org/publications/elibrary-page/?id=13089