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In sound recording, an important dimension is the perceived distance to the sound sources. This study investigates if there is a difference between sound engineers and musicians when they consider the perceived distance to sound sources recorded in a concert hall and reproduced by means of a two-channel stereo system. Also which distance is preferred is investigated for different instruments. The result shows that sound engineers perceive a greater distance to sources and that they prefer more close microphone distance than musicians.
Author (s): Ekman, Håkan; Berg, Jan
Affiliation:
Luleå University of Technology
(See document for exact affiliation information.)
Publication Date:
2006-06-06
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Session subject:
The Future of Audio Technology - Surround & Beyond
Permalink: https://aes2.org/publications/elibrary-page/?id=13850
(313KB)
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Ekman, Håkan; Berg, Jan; 2006; Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording [PDF]; Luleå University of Technology; Paper 8-2; Available from: https://aes2.org/publications/elibrary-page/?id=13850
Ekman, Håkan; Berg, Jan; Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording [PDF]; Luleå University of Technology; Paper 8-2; 2006 Available: https://aes2.org/publications/elibrary-page/?id=13850
@article{ekman2006difference,
author={ekman håkan and berg jan},
journal={journal of the audio engineering society},
title={difference between musicians and sound engineers in estimation of egocentric source distance in a concert hall stereophonic recording},
year={2006},
number={8-2},
month={june},}