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Electronic music, even when designed to be interactive, can lack performance interest and is frequently musically unsophisticated. This is unfortunate because there are many aspects of electronic music that can be interesting, elegant, demonstrative and musically informative. The use of dancers to interact with prototypical interfaces comprising clusters of sensors generating music algorithmically provides a method of investigating human actions in this environment. This is achieved through collaborative work involving software and hardware designers, composers, sculptors and choreographers who examine aesthetically and practically the interstices of these disciplines. The proposed paper investigates these interstices.
Author (s): Hoadley, Richard
Affiliation:
Anglia Ruskin University, Cambridge, UK
(See document for exact affiliation information.)
AES Convention: 128
Paper Number:8002
Publication Date:
2010-05-06
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Session subject:
Audio Equipment and Emerging Technologies
Permalink: https://aes2.org/publications/elibrary-page/?id=15299
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Hoadley, Richard; 2010; Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements [PDF]; Anglia Ruskin University, Cambridge, UK; Paper 8002; Available from: https://aes2.org/publications/elibrary-page/?id=15299
Hoadley, Richard; Implementation and Development of Interfaces for Music Performance through Analysis of Improvised Dance Movements [PDF]; Anglia Ruskin University, Cambridge, UK; Paper 8002; 2010 Available: https://aes2.org/publications/elibrary-page/?id=15299