Home / Publications / E-library page
Only AES members and Institutional Journal Subscribers can download
Many of the Beach Boys’ records were mono only as this was Brian Wilson`s preferred format. However, starting in the mid-1990s, stereo mixes of many of these classics were created by synchronizing the tracks from the instrumental multitrack with those of the vocal multitrack. Unfortunately, for a number of tracks, including “Good Vibrations,” elements of the multitracks were missing, making a true stereo mix impossible. This paper deals with how stereo extraction mixes were created for a number of Beach Boys’ songs using sound source separation techniques to separate sources from the original mono recordings, which were then panned to create stereo mixes. These mixes were used in reissues of Beach Boys albums in 2012.
Author (s): FitzGerald, Derry
Affiliation:
Dublin Institute of Technology, Dublin, Ireland
(See document for exact affiliation information.)
AES Convention: 134
Paper Number:100
Publication Date:
2013-05-06
Import into BibTeX
Permalink: https://aes2.org/publications/elibrary-page/?id=16676
(401KB)
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member Join the AES. If you need to check your member status, login to the Member Portal.
FitzGerald, Derry; 2013; The Good Vibrations Problem [PDF]; Dublin Institute of Technology, Dublin, Ireland; Paper 100; Available from: https://aes2.org/publications/elibrary-page/?id=16676
FitzGerald, Derry; The Good Vibrations Problem [PDF]; Dublin Institute of Technology, Dublin, Ireland; Paper 100; 2013 Available: https://aes2.org/publications/elibrary-page/?id=16676