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The guitar amplifier became a common tool in musical creation during the second half of the 20th Century. This paper attempts to detail some of the internal mechanisms by which the tones are created and their dependent interactions. Two early amplifier designs are examined to determine the circuit relationships and design decisions that came to define the sound of the electric guitar.
Author (s): Martin, Bryan
Affiliation:
McGill University, Montreal, QC, Canada
(See document for exact affiliation information.)
AES Convention: 135
Paper Number:8986
Publication Date:
2013-10-06
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Session subject:
Applications in Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=17034
(1258KB)
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Martin, Bryan; 2013; Gain Stage Management in Classic Guitar Amplifier Circuits [PDF]; McGill University, Montreal, QC, Canada; Paper 8986; Available from: https://aes2.org/publications/elibrary-page/?id=17034
Martin, Bryan; Gain Stage Management in Classic Guitar Amplifier Circuits [PDF]; McGill University, Montreal, QC, Canada; Paper 8986; 2013 Available: https://aes2.org/publications/elibrary-page/?id=17034