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The aim of the conducted study was to evaluate differences in the audibility of different instruments by three commonly used lossy codecs. Seven instrument tones were compressed using MP3-LAME, Vorbis, and Opus to determine how the detection of compressed sounds varies with bit rate, instrument, and compression formats. Audibility of lossy compression was examined on six naïve subjects during 60 hours of listening. At the bit rate of 32 kbps the compressed signals were easily discriminable with significant differences between subjects. With magnifying the bit rate audibility decreased, the signal becoming inaudible at 64–96 kbps. Discrimination varied significantly from instrument to instrument.
Author (s): Rogowska, Agata
Affiliation:
Warsaw University of Technology, Warsaw, Poland
(See document for exact affiliation information.)
AES Convention: 138
Paper Number:9232
Publication Date:
2015-05-06
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Session subject:
Semantic Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=17656
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Rogowska, Agata; 2015; Audibility of Lossy Compressed Musical Instrument Tones [PDF]; Warsaw University of Technology, Warsaw, Poland; Paper 9232; Available from: https://aes2.org/publications/elibrary-page/?id=17656
Rogowska, Agata; Audibility of Lossy Compressed Musical Instrument Tones [PDF]; Warsaw University of Technology, Warsaw, Poland; Paper 9232; 2015 Available: https://aes2.org/publications/elibrary-page/?id=17656