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3D audio is emerging as a production format to enable immersive consumer audio experiences, including the sensation of height. This eBrief focuses on the use of 3D microphone arrays for recording 3D ambiences. Multiple microphone arrays were evaluated, both in theory as well as in practice. The arrays were assessed for their perceptual performance such as spatial envelopment, location accuracy, and timbre. Furthermore, the practical usability of these recordings in a real world movie project and the handling in a common post-production environment have been tested. With the information gathered, a Best Practice guide for different use cases has been developed.
Author (s): Hanelt, Marco; Ehret, Andreas
Affiliation:
Dolby Germany, Nürnberg, Germany; Ostbayerische Technische Hochschule Amberg-Weiden
(See document for exact affiliation information.)
AES Convention: 142
Paper Number:312
Publication Date:
2017-05-06
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Session subject:
Posters: Spatial Audio, Room, Recording, and Listening
Permalink: https://aes2.org/publications/elibrary-page/?id=18688
(2820KB)
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Hanelt, Marco; Ehret, Andreas; 2017; Ambience Recording for 3D Audio [PDF]; Dolby Germany, Nürnberg, Germany; Ostbayerische Technische Hochschule Amberg-Weiden; Paper 312; Available from: https://aes2.org/publications/elibrary-page/?id=18688
Hanelt, Marco; Ehret, Andreas; Ambience Recording for 3D Audio [PDF]; Dolby Germany, Nürnberg, Germany; Ostbayerische Technische Hochschule Amberg-Weiden; Paper 312; 2017 Available: https://aes2.org/publications/elibrary-page/?id=18688