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Objective measurements using a sinusoidal sweep show that microphone angle has little effect on the frequency response of a guitar amplifier recording [1]. However, anecdotal evidence suggests that alterations to the microphone angle hold merit when recording ecologically valid sound sources. An ABX listening experiment was conducted with 20 participants to investigate whether microphone angles of 0, 30, and 60 degrees were audibly different to this cohort. Both dynamic and ribbon microphones were used and the loudness normalized guitar recordings were presented in solo and within a music mix. The experimental results suggest that microphone angles did not generate any perceivable changes to this cohort on this program material.
Author (s): Culloo, Ellen; Ronan, Malachy
Affiliation:
University of Limerick, Limerick, Ireland
(See document for exact affiliation information.)
AES Convention: 142
Paper Number:313
Publication Date:
2017-05-06
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Session subject:
Posters: Spatial Audio, Room, Recording, and Listening
Permalink: https://aes2.org/publications/elibrary-page/?id=18689
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Culloo, Ellen; Ronan, Malachy; 2017; Do Microphone Angles Result in Audible Differences When Recording a Guitar Amplifier? [PDF]; University of Limerick, Limerick, Ireland; Paper 313; Available from: https://aes2.org/publications/elibrary-page/?id=18689
Culloo, Ellen; Ronan, Malachy; Do Microphone Angles Result in Audible Differences When Recording a Guitar Amplifier? [PDF]; University of Limerick, Limerick, Ireland; Paper 313; 2017 Available: https://aes2.org/publications/elibrary-page/?id=18689