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This paper presents a new multichannel microphone technique and reproduction system intended to support six degrees of freedom of listener movement. The technique is based on a modified form of the equal segment microphone array (ESMA) concept and utilizes four Ambisonic (B-format) microphones in a near-coincident arrangement with a 50cm spacing. Upon playback, these Ambisonic microphones are transformed into virtual microphones with different polar patterns that change based on the listener`s position within the reproduction area. The results of an objective analysis and an informal subjective listening test indicate some inconsistencies in the on and off-axis response, but suggest that the technique can potentially support six degrees of freedom in a recorded audio scene using a compact microphone array that is well suited to Virtual Reality (VR) and particularly Free View Point (FVV) applications.
Author (s): Bates, Enda; O`Dwyer, Hugh; Flachsbarth, Karl-Philipp; Boland, Francis M.
Affiliation:
Trinity College, Dublin, Ireland
(See document for exact affiliation information.)
AES Convention: 144
Paper Number:10022
Publication Date:
2018-05-06
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Posters: Spatial Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=19418
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Bates, Enda; O`Dwyer, Hugh; Flachsbarth, Karl-Philipp; Boland, Francis M.; 2018; A Recording Technique for 6 Degrees of Freedom VR [PDF]; Trinity College, Dublin, Ireland; Paper 10022; Available from: https://aes2.org/publications/elibrary-page/?id=19418
Bates, Enda; O`Dwyer, Hugh; Flachsbarth, Karl-Philipp; Boland, Francis M.; A Recording Technique for 6 Degrees of Freedom VR [PDF]; Trinity College, Dublin, Ireland; Paper 10022; 2018 Available: https://aes2.org/publications/elibrary-page/?id=19418