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As more artists find utility in spatial audio for producing live and recorded music, new tools are needed to meet the aesthetic goals of each artist. This paper proposes a method for controlling and mixing point-source spatial audio with the familiar interface of Cockos Reaper, a digital audio workstation (DAW), which controls a Cycling ’74 Max Patch rendering Vector Base Amplitude Panning (VBAP), High Order Ambisonics (HOA), and 3-D convolution reverberation mixing busses. The Max patch allows mixes in Reaper to translate to any arbitrary loudspeaker array by modification of the quantity and location of loudspeakers.
Author (s): Upthegrove, Tanner; Nichols, Charles; Roan, Michael
Affiliation:
Virginia Tech, Blacksburg, VA, USA
(See document for exact affiliation information.)
Publication Date:
2018-07-06
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Session subject:
scalable spatialization; high order ambisonics; digital audio workstation; 3D mixing workflow
Permalink: https://aes2.org/publications/elibrary-page/?id=19623
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Upthegrove, Tanner; Nichols, Charles; Roan, Michael; 2018; Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques [PDF]; Virginia Tech, Blacksburg, VA, USA; Paper P7-2; Available from: https://aes2.org/publications/elibrary-page/?id=19623
Upthegrove, Tanner; Nichols, Charles; Roan, Michael; Spatialization Pipeline for Digital Audio Workstations with Three Spatialization Techniques [PDF]; Virginia Tech, Blacksburg, VA, USA; Paper P7-2; 2018 Available: https://aes2.org/publications/elibrary-page/?id=19623
@article{upthegrove2018spatialization,
author={upthegrove tanner and nichols charles and roan michael},
journal={journal of the audio engineering society},
title={spatialization pipeline for digital audio workstations with three spatialization techniques},
year={2018},
number={P7-2},
month={july},}