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To date the potential of 3D immersive and binaural sound technologies have not been applied to audio portraiture nor considered as a means of approaching and expressing indigenous identity. This paper looks at an artistic, practice-led study that utilizes the technology of 3D immersive and binaural sound technologies to create audio portraits and depictions of indigenous Maori women (wahine) from New Zealand/Aotearoa. This enquiry is part of my Ph.D. doctoral research that seeks to artistically interpret the identity and multiple-dimensionality of these women through sound. By multiple-dimensionality, I refer to historical, physical, cognitive, social, emotional, political, and spiritual dimensions of being.
Author (s): Sheehan, Maree
Affiliation:
Auckland University of Technology, Auckland, New Zealand
(See document for exact affiliation information.)
AES Convention: 145
Paper Number:10089
Publication Date:
2018-10-06
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Session subject:
Applications in Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=19815
(237KB)
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Sheehan, Maree; 2018; Audio Portraiture –The Sound of Identity, an Indigenous Artistic Enquiry [PDF]; Auckland University of Technology, Auckland, New Zealand; Paper 10089; Available from: https://aes2.org/publications/elibrary-page/?id=19815
Sheehan, Maree; Audio Portraiture –The Sound of Identity, an Indigenous Artistic Enquiry [PDF]; Auckland University of Technology, Auckland, New Zealand; Paper 10089; 2018 Available: https://aes2.org/publications/elibrary-page/?id=19815