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Although the basic philosophy behind the design of Microphone arrays, for 3D audio recording and reproduction, has been described in previous AES papers[1][2][3][4], no specific examples have been given with respect to various Surround Sound arrays and the corresponding height arrays (1st layer of height array microphones and the Zenith microphone). This paper gives four examples of complete 3D Audio arrays with perfect critical linking. Examples include same microphone directivity arrays, as well as hybrid arrays. Suitable steering functions are discussed, and specific values are given for each array combination, so as to obtain perfect critical linking.
Author (s): Williams, Michael
Affiliation:
Sounds of Scotland, Le Perreux sur Marne, France
(See document for exact affiliation information.)
AES Convention: 152
Paper Number:10555
Publication Date:
2022-05-06
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Session subject:
3D/Immersive/Spatial Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=21668
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Williams, Michael; 2022; MMAD – Designing for Height – Practical Configurations [PDF]; Sounds of Scotland, Le Perreux sur Marne, France; Paper 10555; Available from: https://aes2.org/publications/elibrary-page/?id=21668
Williams, Michael; MMAD – Designing for Height – Practical Configurations [PDF]; Sounds of Scotland, Le Perreux sur Marne, France; Paper 10555; 2022 Available: https://aes2.org/publications/elibrary-page/?id=21668