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Prolonged exposure to constant signal often leads to auditory fatigue in audio engineers and music enthusiasts, resulting in a cycle of increasing volume and further auditory degradation (hearing loss). The concept of "Embodied Sound" proposes using the body`s capacity to sense vibrations as a method for interpreting sound, shifting the focus from the ears to the body. Early results of an embodied sound system showed a detectable frequency range of ~11Hz-17kHz. Despite as large variation between frequencies, this system provides a reliable auditory and tactile experience for both hearing and hard-of-hearing individuals. Future research should focus on capture and signal processing workflows to accommodate a broader usable frequency range.
Author (s): Castro, Ethan
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(See document for exact affiliation information.)
Publication Date:
2024-05-17
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Permalink: https://aes2.org/publications/elibrary-page/?id=22427
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Castro, Ethan; 2024; Embodied Sound: Full Frequency Vibrotactile and Vibroacoustic Sensation for Reduced Volume Multimodal Music Experience [PDF]; ; Paper 9; Available from: https://aes2.org/publications/elibrary-page/?id=22427
Castro, Ethan; Embodied Sound: Full Frequency Vibrotactile and Vibroacoustic Sensation for Reduced Volume Multimodal Music Experience [PDF]; ; Paper 9; 2024 Available: https://aes2.org/publications/elibrary-page/?id=22427