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Many of the same factors which influence a concert hall`s usefulness for its original purpose (a place for an audience to listen to a live performance) effect its usefulness as a recording studio. Those halls which allow the use of simple recording techniques are generally better halls for live performances. Those halls which require the use of multi-microphone and/or multitrack techniques are usually poor halls for the concertgoer and/or the performer.
Author (s): Potter, Constance A.; Hoge, W. J. J.
Affiliation:
Audio Media Recorders, Nashville, TN ; Harrison Systems, Inc., Nashville, TN
(See document for exact affiliation information.)
AES Convention: 63
Paper Number:1504
Publication Date:
1979-05-06
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Potter, Constance A.; Hoge, W. J. J.; 1979; Recording Techniques as a Measure of the Quality of Concert Hall Acoustics [PDF]; Audio Media Recorders, Nashville, TN ; Harrison Systems, Inc., Nashville, TN; Paper 1504; Available from: https://aes2.org/publications/elibrary-page/?id=2850
Potter, Constance A.; Hoge, W. J. J.; Recording Techniques as a Measure of the Quality of Concert Hall Acoustics [PDF]; Audio Media Recorders, Nashville, TN ; Harrison Systems, Inc., Nashville, TN; Paper 1504; 1979 Available: https://aes2.org/publications/elibrary-page/?id=2850