An approach to the standardized control room is found in the "live end-dead end" (LEDE-) approach. Desirable features include control of the initial time delay, psychoacoustic removal of the directional clues belonging to the control room, and control of the early reflected sound field`s density, spacing in time, and acoustic level. This results in an exceptionally neutral acoustic environment and allows development of a sound field at a mixer`s ears which correlates remarkably with the sound field appearing at the microphones in the studio, thereby allowing precision judgments to be made at the mixing console.
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