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Musical patterns may be investigated with the mathematical tools more commonly applied in science and engineering. For example, the cyclic autocorrelation of a musical scale describes its interval content. Fingering patterns on string instruments are embedded in a space with an unusual topology. Ideas from crystallography may be applied to the description of structure-preserving transformations of melodies. These phenomena are explored for the particularly common case of the twelve-note equally-tempered scale.
Author (s): Duncan, Andrew
Affiliation:
Quaternion Consulting, Agoura, CA
(See document for exact affiliation information.)
AES Convention: 89
Paper Number:2952
Publication Date:
1990-09-06
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Session subject:
MIDI and Electronic Music
Permalink: https://aes2.org/publications/elibrary-page/?id=5741
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Duncan, Andrew; 1990; Combinatorial Music Theory [PDF]; Quaternion Consulting, Agoura, CA; Paper 2952; Available from: https://aes2.org/publications/elibrary-page/?id=5741
Duncan, Andrew; Combinatorial Music Theory [PDF]; Quaternion Consulting, Agoura, CA; Paper 2952; 1990 Available: https://aes2.org/publications/elibrary-page/?id=5741