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A new algorithm for embedding a digital watermark into an audio signal is proposed. It uses spread spectrum theory to generate a watermark resistant to different removal attempts, and a psychoacoustic auditory model to shape and embed the watermark into the audio signal while retaining the signal`s perceptual quality. Recovery is performed without knowledge of the original audio signal. A software system is implemented and tested for perceptual transparency and data-recovery performance.
Author (s): Garcia, Ricardo A.
Affiliation:
School of Music Engineering Technology, University of Miami, Coral Gables, FL
(See document for exact affiliation information.)
AES Convention: 107
Paper Number:5073
Publication Date:
1999-09-06
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Session subject:
Audio coding / HRTFs, HRIRs, and Spatialization
Permalink: https://aes2.org/publications/elibrary-page/?id=8107
(1918KB)
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Garcia, Ricardo A.; 1999; Digital Watermarking of Audio Signals Using a Psychoacoustic Auditory Model and Spread Spectrum Theory [PDF]; School of Music Engineering Technology, University of Miami, Coral Gables, FL; Paper 5073; Available from: https://aes2.org/publications/elibrary-page/?id=8107
Garcia, Ricardo A.; Digital Watermarking of Audio Signals Using a Psychoacoustic Auditory Model and Spread Spectrum Theory [PDF]; School of Music Engineering Technology, University of Miami, Coral Gables, FL; Paper 5073; 1999 Available: https://aes2.org/publications/elibrary-page/?id=8107