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Significant misrepresentation of both 1-bit SDM and multi-bit LPCM coding paradigms persist within both professional and commercial arenas that impacts directly upon the perception of DVD-A and SACD formats. A balanced appraisal of these schemes is presented in order to expose the core differences in the technology both in the theoretical and instrumentation domains. Some observations are made about the fallacy of performance comparisons and the consequence of misinformation that subsequently is derived.
Author (s): Hawksford, Malcolm J.
Affiliation:
Centre for Audio Research and Engineering, University of Essex, UK
(See document for exact affiliation information.)
AES Convention: 110
Paper Number:5397
Publication Date:
2001-05-06
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Session subject:
Signal Processing for Audio
Permalink: https://aes2.org/publications/elibrary-page/?id=9929
(218KB)
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Hawksford, Malcolm J.; 2001; SDM versus LPCM: the debate continues [PDF]; Centre for Audio Research and Engineering, University of Essex, UK ; Paper 5397; Available from: https://aes2.org/publications/elibrary-page/?id=9929
Hawksford, Malcolm J.; SDM versus LPCM: the debate continues [PDF]; Centre for Audio Research and Engineering, University of Essex, UK ; Paper 5397; 2001 Available: https://aes2.org/publications/elibrary-page/?id=9929