[Hasselt, Belgium – July 25, 2023] – The much-anticipated
International Conference on Audio Education 2023 is set to take place from
September 6-8th in the vibrant city of Hasselt, Belgium. With a diverse and
engaging three-day program, including peer-reviewed paper presentations,
keynote presentations, workshops, sponsor booths, and social events, the
conference promises to be a remarkable gathering for audio educators and
professionals alike. The theme, spanning all areas of audio engineering, will
be highly relevant to educational institutions and manufacturers, offering
valuable insights and opportunities for networking and international
collaborations.
The program for the conference is now available online, providing a comprehensive outline of the exciting events scheduled over the three days. Attendees can look forward to insightful presentations, panels, and discussions that delve into cutting-edge audio education topics, methodologies, and advancements in the industry.
Miriam Iorwerth’s keynote will address the current state of
audio education in the aftermath of the Covid-19 pandemic. Focusing on the
challenges posed by a changing educational landscape, the presentation will
explore themes such as curriculum design, accessibility, remote teaching of
practical subjects, tools for delivery, and the role of communities in learning
and teaching. Attendees will be encouraged to reflect on their current
practices and leverage best practices in blended delivery of learning.
Leslie Gaston-Bird’s keynote sheds light on the
underrepresentation of women and minorities in the audio industry. Drawing from
a grounded theory study, Leslie will share insights into the main concerns of
underrepresented groups participating in immersive audio workshops and how they
navigate their challenges. The presentation highlights the importance of
inclusive practices and mentorship opportunities to foster diversity and equity
in the immersive audio industry.
Gillian Desmarais will examine how the next generation of
audio engineers can be trained in public education. The presentation will
showcase a successful public school music production and engineering program in
the United States, using web-based Digital Audio Workstations (DAWs) to teach
audio engineering skills to students as young as 8 years old. The hybrid
curriculum blends audio engineering with state and national music education
standards, promoting diversity, accessibility, and creativity in public
education.
Jamie Angus-Whiteoak’s honorary lecture offers an
alternative vision for teaching Digital Signal Processing (DSP) that emphasizes
working with real signals and implementing them in real-time on affordable
hardware. The lecture delves into historical background and industry-imposed
limitations, advocating for sample-based audio processing that can be
experimented with on conventional processors. Attendees will gain insights into
embedding such processing in effects boxes using single-board computers and
explore the future of DSP education.
The Audio Engineering Society (AES) is the leading
professional association worldwide for audio professionals and enthusiasts. For
over 70 years, the AES has been at the forefront of audio technology and
innovation, providing a platform for knowledge exchange, networking, and
industry collaboration.
Kelly Reynolds
Director of Marketing and Communications
Audio Engineering Society
480-371-7117
kelly.reynolds@hq.aes.org