Purchase Tickets Here The AES NY Section invites you to another great event on May 30 at 5 p.m. ET. Spotlight on Engine Room Audio NYC Hosted by: Mark Christensen & Nathaniel Reichman This is a great opportunity to visit the studio, listen to Dolby Atmos in 7.3.4, have some snacks and a drink, and… Continue reading AES New York Section Event – Dolby 7.3.4 Atmos Listening Event at Engine Room Audio
Register Here The AES Toronto Section invites you to another great event on May 28 at 6:30 p.m. ET. University of Toronto, Edward Johnson Building, Room 330 Hosted by: Anthony Kuzub, Audio Engineering Society: As of 2020 Anthony has been working with the Canadian Broadcasting Corporation to design systems to best implement Audio Engineering Society standards.… Continue reading AES Toronto Section Event – Machine Learning – Automation – Artificial Intelligence
Join Here The benefits of keeping our workstations clean Spring is here and what a perfect opportunity it is to apply spring cleaning tips to our profession. Staying tidy is not only about appearances, but it also directly correlates with our success and efficiency in our work. No registration is required for this event. Time… Continue reading AES Washington D.C. Section Event – AES Spring Cleaning
Join Here At our June Section Meeting and Business Meeting, we will hold our annual Officer and Commitee election, and then PNW Committee member Jim Rondinelli will interview noted film music composer, producer, and musician Adam Dorn, aka Mocean Worker. Adam works from his newly christened studio space in the woods of New York. This… Continue reading AES Pacific Northwest Region Section Event – An Interview with Adam Dorn aka Mocean
Join Here Zane Rusk, Ph.D. Candidate at Pennsylvania State University, will discuss advancements in binaural audio processing. Virtual doors open at 7:15p.m. We’ll introduce the speaker, and he will start his talk around 7:40p.m. The presentation will end around 8:30p.m. with 15 minutes of Q&A. No registration is required for this event. Time above listed… Continue reading AES Chicago Section Event – Perceptual and Quantitative Comparison of Headphone-Based Spatial Audio Techniques with Applications in Spatial Enhancement of Music and Binaural Panning
Join Here Take part in this AES Atlanta Section Zoom meeting hosted by Jeremy Dudham (Atlanta Section Chair) announcing the upcoming section elections, plus a discussion about what it means to be on the committee and to answer any questions. It will also serve as a networking opportunity for those who are not able to attend the sections… Continue reading AES Atlanta Section Event – Elections Q&A
Register Here Panel Discussion A diverse set of music experts and practicing musicians will be sharing their unique viewpoints on what experimental music is in 2024, what kind of creative approaches they are applying to push the boundaries of the art form, what the future holds for experimental musicians, and more. The panelists will discuss,… Continue reading AES San Francisco Section Event – Experimental Music Panel Discussion and Performance
Register Here Have you been curious about how plugins compare to analogue gear, or how different your analogue EQ sounds compared to others? Are you wondering what outboard EQ you might want to buy? Join us at Mount Paran Christian School’s LeFevre SoundLab on July 25th to take a listen to some legendary EQs from… Continue reading AES Atlanta Section Event – EQ Shootout
Register Here How on earth did we electronically vary the amplitude of an audio signal before Digital Signal Processing (DSP)? In the digital domain varying the amplitude of an audio signal is simple. You simply multiply the sample value by a coefficient. For example, “0.5” , “0.01”, “0. 007”, etc… and the job is done.… Continue reading AES United Kingdom Section Event – Analogue Voltage Controlled Amplifiers/Attenuators (VCAs): A Gentle Introduction
Register Here Loudspeaker drivers are reciprocal transducers. Their main task is transforming an electrical (audio) signal to a mechanical force, then to a sound wave. In the opposite direction, any change in the acoustic or mechanical domains is reflected in the electrical input impedance of the driver. Therefore, a driver can also be used as… Continue reading AES UK Section Event – What are those peaks, anyway? Exploring the electrical impedance of loudspeakers
