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In 1945, when Major Jack Mullin, U.S.A. Signal Corps, came home to San Francisco with two German Magnetophon audio tape recorders, he had no idea that he and three other Bay Area engineers, Bill Palmer, Harold Lindsay, and Myron Stolaroff - not big companies like GE, RCA or Westinghouse - would be the ones to revolutionize American recording. By 1947, tiny Ampex Corporation surprised U.S. studios and broadcasters with the first successful American version of the tape recorder. How were Ampex`s Lindsay and Stolaroff able to build a high-fidelity tape machine while others failed?
Author (s): Hammar, Peter
Affiliation:
Ampex Museum of Magnetic Recording, Redwood City, CA
(See document for exact affiliation information.)
AES Convention: 72
Paper Number:1928
Publication Date:
1982-10-06
Import into BibTeX
Session subject:
Magnetic and Disk Media
Permalink: https://aes2.org/publications/elibrary-page/?id=11441
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Hammar, Peter; 1982; The Birth of Tape Recording in the U.S. [PDF]; Ampex Museum of Magnetic Recording, Redwood City, CA; Paper 1928; Available from: https://aes2.org/publications/elibrary-page/?id=11441
Hammar, Peter; The Birth of Tape Recording in the U.S. [PDF]; Ampex Museum of Magnetic Recording, Redwood City, CA; Paper 1928; 1982 Available: https://aes2.org/publications/elibrary-page/?id=11441