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The existing body of literature regarding the acoustic design of concert halls has focused almost exclusively on classical music, although there are many more performances of rhythmic music, including rock and pop. Objective measurements were made of the acoustics of twenty rock music venues in Denmark and a questionnaire was used in a subjective assessment of those venues with professional rock musicians and sound engineers. Correlations between the objective and subjective results lead, among others, to a recommendation for reverberation time as a function of hall volume. Since the bass frequency sounds are typically highly amplified, they play an important role in the subjective ratings and the 63-Hz-band must be included in objective measurements and recommendations.
Author (s): Adelman-Larsen, Niels W.; Thompson, Eric R.; Gade, Anders C.
Affiliation:
Flex Acoustics; Technical University of Denmark
(See document for exact affiliation information.)
AES Convention: 123
Paper Number:7246
Publication Date:
2007-10-06
Import into BibTeX
Session subject:
Acoustic Modeling
Permalink: https://aes2.org/publications/elibrary-page/?id=14304
(154KB)
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Adelman-Larsen, Niels W.; Thompson, Eric R.; Gade, Anders C.; 2007; Acoustics in Pop and Rock Music Halls [PDF]; Flex Acoustics; Technical University of Denmark; Paper 7246; Available from: https://aes2.org/publications/elibrary-page/?id=14304
Adelman-Larsen, Niels W.; Thompson, Eric R.; Gade, Anders C.; Acoustics in Pop and Rock Music Halls [PDF]; Flex Acoustics; Technical University of Denmark; Paper 7246; 2007 Available: https://aes2.org/publications/elibrary-page/?id=14304